Introduction to Shakespeare's Plays, Containing an Essay on OratoryJohn Bell; and C. Etherington, at York, 1773 - 57 páginas |
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Introduction to Shakespeare's Plays, Containing an Essay on Oratory Francis Gentleman Sin vista previa disponible - 2018 |
Introduction to Shakespeare's Plays, Containing an Essay on Oratory Sin vista previa disponible - 2020 |
Introduction to Shakespeare's Plays: Containing an Essay on Oratory (1773) Francis Gentleman Sin vista previa disponible - 2009 |
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alſo arife Attorney at Law Bart Bawtry beſt Birmingham Bookſeller Brutus Cæfar cafe Capt cauſe Chelſea CICERO climax compoſition counter-tenor courſe DEMOSTHENES deſign Devizes diſgrace distinguiſhed Edward emphasis eſpecially Eſq eſſential expreffion expreſſed expreſſion fentence firſt fix ſets fome forrow four fets fuch fyllable George grief Henry horror inſtance inſtruct ISOCRATES itſelf James John Joſeph Junior juſt juſtly King King Lear maſter Meſſrs Mifs Miſs moſt muſt nature neceſſary Newcastle Norwich obſerved oppoſition oratory paſſages paſſions pauſe perſon pleaſe pleaſure poſſibly preſent publiſhed queſtion Rage reaſon reſpect Richard Richmond royal paper royalpaper Samuel ſay ſcarce ſee ſenſe ſeven ſets ſeveral Shakespeare ſhall ſhe ſhort ſhould ſhow ſions ſmall ſome ſpeak ſpeaker ſpirited ſtage Stamford ſtate ſtill ſtrained ſtrong ſtyle ſubject ſuch ſuppoſe taſte Tenterden thee theſe Thomas thoſe thou three ſets thro twelve ſets uſe voice whoſe William Wilts Wolverhampton woo't words
Pasajes populares
Página 41 - Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee: — I have thee not, and yet I see thee still. Art thou not , fatal vision , sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain?
Página 45 - How that might change his nature, there's the question: It is the bright day that brings forth the adder; And that craves wary walking. Crown him? — that? And then, I grant, we put a sting in him, That at his will he may do danger with.
Página 48 - ... creeping like snail Unwillingly to school. And then the Lover, Sighing like furnace, with a woeful ballad Made to his mistress
Página 41 - Mine eyes are made the fools o' the other senses, Or else worth all the rest ; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before.
Página 35 - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Página 38 - O my soul's joy ! If after every tempest come such calms, May the winds blow till they have waken'd death ! And let the labouring bark climb hills of seas, Olympus-high ; and duck again as low As hell's from heaven ! If it were now to die, 'Twere now to be most happy ; for, I fear, My soul hath her content so absolute, That not another comfort like to this Succeeds in unknown fate.
Página 30 - He is the Rock, his work is perfect : for all his ways are judgment: a God of truth and without iniquity, just and right is he.
Página 40 - Which reason, joining or disjoining, frames All what we' affirm or what deny, and call Our knowledge or opinion ; then retires Into her private cell, when nature rests. Oft in her absence mimic fancy wakes To imitate her; but, misjoining shapes, Wild work produces oft, and most in dreams ; 111 matching words and deeds long past or late.
Página 30 - For the Lord's portion is his people ; Jacob is the lot of his inheritance. He found him in a desert land, and in the waste howling wilderness; he led him about, he instructed him, he kept him as the apple of his eye.
Página 45 - Tis a confummation Devoutly to be wifh'd. To die — to fleep — To fleep ' perchance to dream ? ay, there's the rub ; For in that fleep of death what dreams may come, When we have fhuffied off this mortal coil, Muft give us paufe.