Beyond the Frame: Feminism and Visual Culture, Britain 1850 -1900

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Routledge, 2012 M11 12 - 288 páginas

Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.

 

Contenido

Introduction
1
1 Artists and militants 185066
9
visuality visibility and modernity
59
feminism imperialism and visual culture
75
a question of authority
101
5 Tactics and allegories 18661900
142
selected publications on Algeria 185768
219
Notes
220
Suggestions for further reading
253
Index
255
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Acerca del autor (2012)

Deborah Cherry is Professor of the Histoy of Art at the University of Sussex. Her previous publications include Painting Women: Victorian Women Artists (Routledge 1993).

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