Painting Women: Victorian Women ArtistsRoutledge, 1993 - 275 páginas Looks at the experience of women painters within the oppressive confines of the Victorian patriarchy. Using biographies, journals and letters, Cherry shows how their working lives were shaped by the social order of difference. |
Índice
WHATS THE DIFFERENCE | 1 |
FAMILY BUSINESS | 19 |
SPINSTERS AND FRIENDS | 45 |
Página de créditos | |
Otras 13 secciones no se muestran.
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Painting Women: Victorian Women Artists Deborah Cherry,Rochdale Art Gallery (Rochdale, England) Vista de fragmentos - 1987 |
Términos y frases comunes
Anna Mary Howitt Art Gallery art history Art Journal art schools Barbara Bodichon bourgeois femininity Britain campaigns career Clayton cottage critical daughter Deborah Cherry depicted discourses domestic drawings dress Elizabeth Siddall Ellen Emily Mary Osborn Englishwoman's Review exhibited Female Artists feminine sexuality feminism feminist figure painter gaze Gertrude Jekyll Girton College Glasgow governess Hayllar Helen Allingham Henrietta Ward high culture history painting husband images Jane Joanna Lady landscape painter later nineteenth century Laura Louise Jopling Lydia Becker Magazine Manchester Marie Spartali marriage married Mary Howitt Mary Osborn masculine middle-class women models modern mother Museum Nameless and Friendless Norwich numbers organised plate pleasure politics portrait Pre-Raphaelite produced professional Queen Rebecca Solomon Rossetti Royal Academy self-portrait servants sexual difference sign woman signified sisters social Society spectators subjects in watercolour Victorian visual representation visual signs watercolour woman as sign women artists women's art Women's Suffrage