Shakespeare, Milton and Eighteenth-Century Literary Editing: The Beginnings of Interpretative ScholarshipCambridge University Press, 1997 M06 28 - 222 páginas This study sets out to investigate the theoretical and especially the interpretative bases of eighteenth-century literary editing. Extended chapters on Shakespearean and Miltonic commentary and editing demonstrate that the work of pioneering editors and commentators, such as Patrick Hume, Lewis Theobald, Zachary Pearce, and Edward Capell, was based on developed, sophisticated, and often clearly articulated theories and methods of textual understanding and explanation. Marcus Walsh relates these interpretative theories and methods to seventeenth- and eighteenth-century Anglican biblical hermeneutics, and to a number of debates in modern editorial theory. |
Contenido
biblical hermeneutics | 30 |
Thomas Newtons variorum | 94 |
editing from Pope | 111 |
Conclusion | 199 |
| 217 | |
Otras ediciones - Ver todas
Shakespeare, Milton and Eighteenth-Century Literary Editing: The Beginnings ... Marcus Walsh Vista previa limitada - 2004 |
Shakespeare, Milton and Eighteenth-Century Literary Editing: The Beginnings ... Marcus Walsh Sin vista previa disponible - 1997 |
Términos y frases comunes
Alexander Pope amongst Anglican annotation argued argument authorial intention authorial orientation Bible biblical Bibliography Cambridge Canons Capell's century Charles Jennens classical collation commentary commentators conjectural emendation contemporaries context copy criteria cultural defend Dictionary E. D. Hirsch edition of Paradise edition of Shakespeare Edward Capell eighteenth eighteenth-century editors especially example explain explanatory explication Folio genuine Glossary Hamlet hermeneutics historical Holy humanist Hume Hume's insists Jennens John Johnson on Shakespeare judgment knowledge language Lewis Theobald linguistic London manuscript methods Milton Milton's poem modern editors Newton nonetheless Notes and Various Oxford University Press Paradise Lost parallel paraphrase particular passages Pearce plays poet Pope Pope's possible Preface principle printed Quarto reader reference Richard Bentley sacred Samuel Johnson scholars scholarship Scripture sense Shakespeare Restored taste textual criticism textual witnesses theoretical thought tion understanding Upton usage variorum Various Readings verbal vols W. W. Greg Warburton William Shakespeare William Warburton words writings