...never told her love, But let concealment, like a worm i' th' bud, Feed on her damask cheek: She pined in thought, And with a green and yellow melancholy She sat like Patience on a monument, Smiling at grief. . .5S 319 The conversation concludes with a sympathetic question which she answers ambiguously:...

...Twelfth Night, ii, 4, picturing her own forced restraint to the unsuspecting Duke: She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek . . . Hamlet ruminated (iv, 3) on the skull of Yorick: "A man may fish with the worm that hath eat...

...lack retention. Orsino — TN II.iv She never told her love, But let concealment, like a worm i' th' bud, Feed on her damask cheek: she pin'd in thought,...melancholy She sat like Patience on a monument, Smiling at grief. Was not this love indeed? Viola — TN II.iv Come, come, in wooing sorrow let's be brief,...

...never told her love, But let concealment, like a worm i' th' bud, Feed on her damask cheek. She pined in thought, And with a green and yellow melancholy She sat like patience on a monument, Smiling at grief. Was not this love indeed? Our shows are more than will; for still we prove Much in our vows,...

...the Inn, my Lady. i pined in thought: from Violas speech in Shakespeare's Twelfth Night: "she pined in thought, / And with a green and yellow melancholy / She sat like Patience on a monument" (II. iv. 113-15). Exit SERVANT. How unlucky they should come to day! If I receive them, they will just...

...child," as well as a Haydn song, with words by Shakespeare about unrequited love: She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek . . . I particularly liked the end of this song, with its image of fortitude in the face of lasting...

...obliquely declares her love for Orsino in the allegory of an invented sister who died of love: She pined in thought, And with a green and yellow melancholy She sat like patience on a monument, Smiling at grief. 12.4.112-151 This clearly lies behind perhaps the most memorable lines in Pericles, in which...

...response and the alternative to Orsino's egoism and the song's ("Come Away, Death") finality: "She pined in thought, / And with a green and yellow melancholy, / She sat like Patience on a monument, / Smiling at grief. Was not this love indeed?" (2.4.1 12-15). Stubbs's wistful delivery of these lines manages...

...never told her love, But let concealment, like a worm in the bud Feed on her damask cheek; she pined in thought; And, with a green and yellow melancholy, She sat like patience on a monument, Smiling at grief. 56 For though he may "tell his love" yet Patience may disturb his heart quite as much as...

...by her disguise, but her love for Orsino has a maturity and selflessness that makes her prepared to 'let concealment, like a worm i' the bud, / Feed on her damask cheek' (n.iv.iio-ii). We felt that our version of the play needed to live in a place and time that was very...